中国当代电影中的纪实主义

Contents
Preface
Acknowledgements
Dissertation Summary
Chapter One Introduction
　1. New Chinese Film: The Inadequacy of Labels in Describing the New Film Practices in China
　2. Mapping Contemporary Chinese Film
　3. Discursive Parameters
Chapter Two Identifying Docurealism in Terms of History, Philosophy and Aesthetics
　1. Historically: Inside and Outside China
　2. Philosophically: The Redemption of Physical Reality
　3. Aesthetic Principles111
Chapter Three Zhang Yuan: A Breakthrough in Presenting Reality — Escape from the Encirclement of
　Melorealism
　1. Zhang Yuan and New Approaches to Reality
　2. Sons·Cinema-verite·Cinemadirect
　3. Seventeen Years and the New Documentary Movement
Chapter Four Jia Zhangke: Distinguishing Nostalgia from the Fifth Generation's Exoticism
　1. Xiaowu: The Common Man's Consciousness and the Popular Perspective
　2. Platform: Loose Narration and Dedramatization
　3. Unknown Pleasure: Redemption of Real Life Through Sound
Chapter Five Wang Xiaoshuai, Wang Chao, Lu Xuechang, Zhang Ming: Constructing Docurealist Aesthetics
　in Film Construction
　1. Shot·Deep Focus·Mise-en-scène
　2. Colour· Light· Physical Reality
　3. Editing·Montage·Longtake
Conclusion
Appendix Main Docurealist Film Directors and Their Works
Bibliography
Glossary