丝竹乐

Preface
引言
Rooting in Lingnan
——The History of Cantonese Music
深植岭南
——粤乐的历史沿革
Germination：Booming of the Folk Musical Bands
萌芽：民间私伙遍布各地
Origin：The Product of Multiple Cultures
起源：多元文化共同作用
Development：Masters and Masterpieces
发展：人才众多名品辈出
Reforms of the Musical Instruments
——The Soul of Cantonese Music
乐器变革
——粤乐的灵魂精髓
Prototype：Hard-Bow Performance to Depict Common Life
维形：硬弓演奏系民生
Transforming：Soft-Bow Bringing New Life
转型：软弓改良创新风
Maturity：Incorporation of the Western Music
成熟：洋为中用促传播
Contemporary Cantonese Music
——Heritage and Innovation of Cantonese Music
当代粤乐
——粤乐的传承创新
Heritage：Flowering Everywhere
传承：万家灯火万家弦
innovation：New Skills to Create Grandeur
创新：技法突破振雄风
Studies：Academic Reconstruction of the Culture
研究：学术重构文化潮
Combination of the East and the West
——Features of Cantonese Music
中西合璧
——粤乐的艺术特点
Rhythm：Elegant Brisk Lyrics
旋律：优美明快擅抒情
Themes：Common Feelings over Different Generations
主题：世俗情感代代传
Styles：Merging of Soul and Music
风格：人乐相通达灵境
Movement：Incorporation of the Westerm Musical Techniques
旋法：中西合壁立新风
Musical Instruments：Changing with the Times
配器：与时俱进争芳妍
Great Masters
——Eminent Persons in the History of Cantonese Music
群星璀璨
——粤乐名家人物志
The Three Hes：Pioneers of Modern Cantonese Music
何氏三杰：引领粤乐发展的开拓者
He Liutang：A Master at the Transitional Stage of Cantonese Music
何柳堂：粤乐史上承上启下的音乐大家
He Yunian：A Prolific Composer Determining the Position of Cantonese
Music
何与年：奠定粤乐戏曲地位的多产作家
He Shaoxia：A Master of Musical Instruments Expertizing in the
Classical Literature and Lyrics
何少霞：深谙古典文学和唱词的乐器高手
The Four Kings：Propellers Leading Cantonese Music to Its Golden
Age
四大天王：推动粤乐走向黄金时代
Lü Wencheng：A Master of Cantonese Music and Reformer of the
Musical Instruments
吕文成：一代粤乐宗师，力推器乐改革
Yin Zizhong：A Pioneer Who Nationalized the Violin
尹自重：小提琴民族化先驱
He Dasha：A Reformer of Guitar and Excellent Performer
何大傻：大胆改造吉他，演奏两艺俱佳
He Langping：A Lover of Classical Literature Dedicated to Folk Music
Creation
何浪萍：酷爱诗词，致力于民间乐曲创作
Qiu Hechou：The Initiate Providing Textbooks of Cantonese Music
丘鹤待：广东音乐启蒙者，编著最早课本
Blooming
——List of Classical Cantonese Musicol Pieces
百花齐放
——粤乐经典作品录
The Pathetic Story of the Two Stars：Classical Musical Piece Based
on Chinese Folklore
《双声恨》：以民间传说为题材的古曲
“Lightning in the Blue Sky”：Music with New Performing
Techniques
《旱天雷》：技法推陈出新的粤乐佳作
Plantains in the Rain”：Early Masterpiece with Heavy Lingnan
Flavor
《雨打芭蕉》：南国情趣的初期代表
The Dragon Boat Race Champion：Classical Cantonese Music with
Western Techniques
《赛龙夺锦》：借鉴外来技巧的粤乐经典
“Step on Step”：Popular Music Singing about Musical Instrument
Reform
《步步高》：乐器改革的时代“流行曲”
“A Peacock in His Pride”：The Musical Piece Employing Variou
Western Musical Instruments
《孔雀开屏》：被最多西洋乐器演奏过的作品
“Little Taohong”：A Pioneer to Escape the Bondage of Tradition
《小桃红》：敢于突破传统的创新之作
“Birds Returning to the Woods：A Musical Piece Embodying Nature
《鸟投林》：体现自然之趣的音乐小品
Breakthrough
——The Peak of Cantonese Music in the New Age
推陈出新
——粤乐攀登新时代新高峰
New Birth：New Musical Pieces Created One after Another
新曲：大批新作不断涌现
New Trend：Creation not Limited to One Type
新风：创作尝试不拘一格
Following the Trend of the Times
——Cantonese Music Opening a New Chapter
时代潮流
——粤乐谱写新文化新篇章
Folk Music：Following the Social Trends
民乐：紧贴时代变革
Transformation：Carrier of Cultural Renaissance
转型：承载文化复兴
Afterword
后记