前言
Chapter I Introduction
1．1 A Critical Review of the Snopes Trilogy
1．2 A Theoretical Overview of Deconstruction
1．3 The Popic and Task of the Dissertation
Chapter II The Hamlet：Signification in Motion
2．1 Signification in Motion： Saussure Deconstructed
2．2 Intrasemiotic Motion： Diff~rance in The Hamlet
2．3 Intersemiotic Motion： Supplement in The Hamlet
2．4 Transsemiotic Motion： Rhetoricity in The Hamlet
Chapter III The Town ： Text in Dissemination
3．1 Dissemination and Text
3．2 Intertextual Dissemination： The Town and its Yoknapatawpha sisters
3．3 Intratextual Dissemination in The Town
3．4 Extratextual Dissemination： The Town and Its Allusions
Chapter IV The Mansion ： Existence After Subversion
4．1 Existence in a Subverted World
4．2 Mink's Subversion of the Old Moster andthem-they-it
4．3 Linda's Subversion of Her Generalissimos
4．4 Flem's Subversion of His Own Existence
Chapter V Conclusion
Bibliography
Acknowledgements
Appendix I The Family Genealogy of the Snopeses
Appendix II Faulkner Research in China： Retrospects and Prospects
Appendix III The Sound and the Fury： Three Selves and Four Orders
Appendix IV Structural Aesthetics of the Stream-of-Consciousness
Fiction： A Case Study on The Mark on the Wall
Appendix V A Corpus-Based Research on Faulkner's Works
鄂公网安备 42010302001612号 