Chapter 1 Introduction
Chapter 2 A Semiotic Approach to Drama
2．1 Redefinition of the Components of Drama
2．2 Relation and Deviation in Semiotic Approaches
2．3 Caryl Churchill's Deviation Strategies
Chapter 3 Deviation from the Principle of Succession： From a Reformist Perspective to a Marxist Socialist Position
3．1 Deviation Strategy in The Judge's Wife： A Middle-class Reformist View
3．2 Deviation Strategy in Traps： British Socialist Tradition
3．3 Deviation Strategy in The After Dinner Joke： a Marxist socialist concern
Chapter 4 Deviation Strategy in the Construction of Characters： Ambiguity Produced by the Presentation of the Revolutionaries
4．1 Vernon vs Michael： Revolutionaries or Criminals
4．2 Fanon vs Patient A： Subversive Power or Victim of Violence
4．3 The Unspeaking Guerrillas： Subversive Force or Criminal
Chapter 5 Multiple-Role Casting Scheme： Ambiguity in the Staging of Class Conflict
5．1 The Multiple-Role Casting Scheme： Breaking the Fourth Wall
5．2 Doubling of Characters with Similarities： Highlighting the Class Conflicts
5．3 Multiple-Role Casting： Blurring the Identities and Class Status
Chapter 6 Contradiction between Speech and Discursive Position： Ambiguous Political Stance Presented by Discourse Strategy
6．1 Discursive Strategy that Promotes Marxist Political Views
6．2 Discursive Strategy that Reveals Complicity with the Bourgeoisie
Chapter 7 Conclusion
Works Cited
Index
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