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旗袍,中西合璧的服饰文化(英)

旗袍,中西合璧的服饰文化(英)

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作 者: 艺阳 著,马丽 译
出版社: 五洲传播出版社
丛编项: 中国人文标识系列
标 签: 暂缺

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ISBN: 9787508550251 出版时间: 2023-04-01 包装: 平装-胶订
开本: 16开 页数: 字数:  

内容简介

  旗袍,有着高挺有型的立领和斜开的门襟,讲究的盘扣将立领和门襟的两侧完美闭合,形成一种独特的精气神。旗袍,有着圆润柔和的轮廓和线条,将人体曲线的曼妙敲到好处地展现出来,既有浪漫的情致,又不失优雅端庄的气韵。行走间,轻盈摇曳的下摆,忽隐忽现的风情,赋予了旗袍一种难以抗拒的魔力。 旗袍独特的轮廓里,蕴藏着中国传统服饰和西方传统服饰两股灵魂,传统中不失现代感的样式,浪漫中又平添端庄大气的风韵,是中国手工艺人智慧里最别致的灵感,也是中国服饰文化中极为惊艳的一抹亮色,更是中西服饰文化完美融合的产物。 The Chi-pao is a traditional Chinese dress with many variations in terms of style. Generally, it features stand-up collar and sideway button placket, which are perfectly closed by exquisite, knotted buttons, forming a unique style. Its flexible, soft outlines highlight the female body curve in a romantic and elegant manner. Dressed in a Chi-pao, a woman looks extremely charming while walking gracefully. The Chi-pao contains two souls - traditional Chinese clothing and traditional Western clothing. The Chi-pao, modern and traditional in style, is the most unique inspiration in the wisdom of Chinese craftsmen, and a shining page in the Chinese clothing culture. The Chi-pao represents and symbolizes China’s profound traditional culture, as well as the merging of the two kinds of traditional clothing cultures.

作者简介

暂缺《旗袍,中西合璧的服饰文化(英)》作者简介

图书目录

Contents 
Preface.......................................................................................01
Chapter I Origins of the Chi-pao 
Section 1 Early History of the Chi-pao......................................................002 
Section 2 The Female Robes of the Eight Banners......................................007 
Section 3 ‘Flowerpot-sole Shoes’, the Scenery Beneath the Chi-pao............018 
Section 4 Rose Rouge and the Great-wing Hairstyle...................................022 
Section 5 The Coexistence of Manchu and Han Female Clothing Culture ....030 
Section 6 Predestined Relationship Between the Chi-pao and Ancient Robes...035 
Section 7 The World of Robes.................................................................043
Chapter II The Breakthrough of Chi-pao 
Section 1 The Transformation from the Robe to Chi-pao............................050 
Section 2 The Chi-pao’s Premiere ............................................................053 
Section 3 Encounter of Chinese and Western Costume Cultures at Historical Juncture...........056 
Section 4 Modern Chi-pao: the Blend Beauty of China and the West..........069 
Section 5 Chi-pao, the Most Popular Fashion in the Republic of China.......076 
Section 6 Face Powder, Silk Stockings and Perm Curls that Match the Old Shanghai Chi-pao.....086 
Section 7 Elegance of the Traditional Chi-pao and Romance of the New-Style Chi-pao...........096 
Chapter III The Memory of Fashion-leading Chi-pao 
Section 1 Magazines Leading a Fashion Life in the Republic of China.........102 
Section 2 Indissoluble Bound to Su-Guang Garment Shop.........................109 
Section 3 Chi-pao Printed in Pictures.......................................................113
Section 4 Wearing Chi-pao as Wedding Clothes.......................................119 
Section 5 Beauties Setting the Trend of Chi-pao in China’s Republican Period....124 
Section 6 Chi-pao Beauties Framed by the Camera...................................138 
Chapter IV The Craftsmanship of Chi-pao 
Section 1 The Traditional Knotted Button—the Soul of Chi-pao..................144 
Section 2 Embroidery, a Nice Touch of Chi-pao.........................................151 
Section 3 Different Fabrics Show Different Styles of Chi-pao.......................159 
Section 4 Flexible Yajin and Unique Brooch of Chi-pao.............................173 
Chapter V Chi-pao’s New Styles 
Section 1 Revival of Genuine Craftsmanship.............................................182 
Section 2 Chi-pao Sending Chinese Blessings at Wedding Ceremony.........195 
Section 3 The Revival of Chi-pao............................................................200
Section 4 Chi-pao, From Dethronement to Reinvigoration..........................205 
Appendix A Brief Chinese Chronology......................................................21

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