海峡两岸木版年画艺术口述史

前言：遥远的回响······················································1

第一章　闽台木版年画的源流···········································7

第一节　福建木版年画·················································9

一、福建历史与民俗文化···············································10

二、福建木版年画的起源与发展········································13

第二节　台湾木版年画················································16

第三节　两岸木版年画的深厚渊源······································18

第二章　漳州木版年画················································21

第一节　漳州木版年画概述············································23

第二节　漳州木版年画的材料与工艺····································25

一、漳州木版年画的工具与材料········································25

二、漳州木版年画的制作工艺··········································29

第三节　漳州木版年画口述史··········································34

一、颜仕国：“版画靠我个人来演变，演变不来。” ··························34

二、颜志仁：“我愿意教刻版，但没人愿意学啊！” ··························38

三、陈斌：“这个版每天都在消耗。” ···································39

四、周铁海：“木版年画是漳州的一个宝。” ·····························45

五、林育培：“如果漳州木版年画失传，那真的很可惜！” ·················51

第四节　漳州木版年画精品············································60

一、门神画、门画····················································60

二、宗教用年画······················································77

三、灯画与纸扎画····················································83

四、戏出年画、风俗画················································88

五、游戏图··························································95

第三章　泉州木版年画················································97

第一节　泉州木版年画概述············································99

第二节　泉州木版年画精品···········································101

一、门神画、门画···················································101

二、灯画与纸扎画···················································104

三、游戏图·························································111

第四章　台湾木版年画···············································113

第一节　台湾木版年画概述···········································115

一、 闽南移民与台湾民俗文化·········································115

二、 台湾年画的发展简史············································117

第二节　台湾木版年画的材料与工艺···································120

第三节　台湾木版年画口述史·········································122

一、陈羿锡：“等人们意识到要保护的时候，它们已经流失太长时间了。” ·····························································122

二、杨永智：“台湾现在有的是机器，有的是科技，却没有会手工印的师傅。” ·····························································129

三、吴望如：“所以我们让孩子来做藏书票，但是我们后面的目的是推动版画的传承。” ·····························································137

第四节　台湾木版年画精品···········································144

一、门神画、门画···················································144

二、宗教用年画·····················································159

三、灯画与纸扎画···················································161

四、戏出年画·······················································164

五、游戏图·························································166

参考文献···························································169

后　　记···························································171